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Wednesday, April 5th |
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9,30 - 10,30 |
Reception desk |
Registration |
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10,30 - 11,00 |
Sala "Europa" |
Opening Session |
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11,00 - 12,00 |
Sala "Europa" |
PLENARY LECTURE
Chaired by Manuel Sánchez García, Universidad de Extremadura (Spain)
Pilar Cuder Domínguez, Universidad de Huelva (Spain) Seventeenth-Century Women Playwrights and the Making of a Female Hero |
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12,00 - 12,30 |
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Coffee break |
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12,30 - 14,00 |
Sala "Europa" |
PANEL 1
Chaired by Clara Calvo, Universidad de Murcia (Spain)
Ramón Espejo Romero, Universidad de Sevilla (Spain) Splitting up of a Hero: Walt Disney's Pocahontas and Its Handling of Captain John Smith
Luciano García García, Universidad de Jaén (Spain) From Spanish Setting to Setting in Spain: Of How Shirley's The Brothers Prefigures Spanish Neoclassical Drama of Moratín
Rafael Portillo García, Universidad de Sevilla (Spain) The Rise and Fall of Durfey’s Don Quixote Trilogy |
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16,30 - 18,00 |
Sala "Europa" |
PANEL 2
Chaired by Carolina P. Amador Moreno, Universidad de Extremadura (Spain)
Rui Carvalho Homem, Universidade do Porto (Portugal) Bastard Lines: On Shakespeare and some Anglo-Portuguese Intertexts
María José Coperías Aguilar, Universidad de Valencia (Spain) "A Comedy … in Every Part True Tory!": Aphra Behn’s The City Heiress and Its Socio-Political Context
Tomás Monterrey Rodríguez, Universidad de La Laguna (Spain) Thomas Lodge in Tenerife |
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Sala "García Matos" |
PANEL 3
Chaired by Luis Sánchez Rodríguez, Universidad de Extremadura (Spain)
Elena Bandín Fuertes, Universidad de León (Spain) The Effect of Franco’s Censorship Boards on Luis Cernuda’s Troilo y Crésida: An Exception to the Rule
Judit Martínez Magaz, Universidad de León (Spain) The Welsh Dialect in William Shakespeare’s The Merry Wiues of Windsor and Its Translations into Spanish in the 20th and 21st Centuries
Teresa Corchado Pascasio, Universidad de Extremadura (Spain) Ambiguity and Violence in King Lear. Analysis of a Dialogue |
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18,00 - 18,30 |
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Coffee break |
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18,30 - 19,30 |
Sala "Europa" |
PANEL 4
Chaired by Carolina P. Amador Moreno, Universidad de Extremadura (Spain)
Berta Cano Echevarría, Universidad de Valladolid (Spain) Ana Sáez Hidalgo, Universidad de Valladolid (Spain) Emblems for the Prince: The Manuscript 2492 (Biblioteca Nacional)
María de la Cinta Zunino Garrido, Universidad de Jaén (Spain) "A Mere Iest and Fable"?: William Adlington as a Humanist Translator |
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20,30 |
Cáceres Town Hall |
Reception and guided tour offered by the Cáceres local government |
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Thursday, April 6th |
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9,30 - 11,00 |
Sala "Europa" |
PANEL 5
Chaired by Manuel Sánchez García, Universidad de Extremadura (Spain)
Laura Campillo Arnáiz, Universidad de Alicante (Spain) Introducing SH·ES·TRA: A New Digital Tool for the Research of Shakespeare in Translation
Jesús Ángel Marín Calvarro, Universidad de Extremadura (Spain) Wordplay and Translation: The Poetic Language of William Shakespeare
Pedro Pérez Prieto, I.E.S. "Gregorio Marañón", Madrid (Spain) On Translating William Shakespeare's Sonnets into Spanish. With Special Reference to Sonnet XX |
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11,00 - 11,30 |
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Coffee break |
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11,30 - 12,30 |
Sala "Europa" |
PLENARY LECTURE
Chaired by José Luis Oncins Martínez, Universidad de Extremadura (Spain)
Jonathan Culpeper, Lancaster University (United Kingdom) A New Kind of Dictionary for Shakespeare’s Plays: An Immodest Proposal. |
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12,30 - 14,00 |
Sala "Europa" |
PANEL 6
Chaired by José Luis Oncins Martínez, Universidad de Extremadura (Spain)
Silvia Fernández Pizarro, Universidad de Extremadura (Spain) HUMAN BEINGS ARE ANIMALS: Metaphor and Metaphoric Expressions in Shakespearean Tragedy
Sandra Peña Cervel, Universidad Nacional de Educación a Distancia, Madrid (Spain) Where Linguistics and Literature Meet: Cognitive Linguistics and Literary Analysis
Angélica Varandas, Universidade de Lisboa (Portugal) The Function of Animal Metaphors in Shakespearian Drama |
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Sala "García Matos" |
PANEL 7
Chaired by Zenón Luis Martínez, Universidad de Huelva (Spain)
Jorge Figueroa Dorrego, Universidad de Vigo (Spain) Alexander Oldys’s The Female Gallant, or The Comedy of Gender Masquerade
Manuel J. Gómez Lara, Universidad de Sevilla (Spain) Characters, Humours and the Politics of Space in Restoration Comedy: Town and Country in The Woman Turned Bully
Francisco Javier Ruano García, Universidad de Salamanca (Spain) Thou’rt a Strange Fillee: A Possible Source of ‘y-tensing’ in Seventeenth-Century Lancashire Dialect? |
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16,30 - 18,00 |
Sala "Europa" |
PANEL 8
Chaired by Ana Sáez Hidalgo, Universidad de Valladolid (Spain)
Rubén Jarazo Álvarez, Universidad de La Coruña (Spain) Las referencias florales en el Hamlet de William Shakespeare y Tertulias de boticas de Álvaro Cunqueiro
Nicolás Montalbán Martínez, Universidad de Murcia (Spain) Shakespeare's Reception under Franco: Luca de Tena's Macbeth (1942). Strategies for a Francoist Pedagogy
Rita Queiroz de Barros, Universidade de Lisboa (Portugal) Spelling Standardisation in Shakespeare’s First Editions: Evidence from Quarto and First Folio Editions of Romeo and Juliet |
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Sala "García Matos" |
PANEL 9
Chaired by Carolina P. Amador Moreno, Universidad de Extremadura (Spain)
Leticia Álvarez Recio, Universidad de Sevilla (Spain) Pamphlets, Newspapers and Public Opinion: The Discourse against Spain during the English Commonwealth
Luigi Giuliani, Universidad de Extremadura (Spain) A Comparative Approach to English and Spanish Early Modern Printed Playtexts
Adelaide Serras, Universidade de Lisboa (Portugal) Mary Tudor and the Ideological turningpoint |
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18,00 - 18,30 |
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Coffee break |
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18,30 - 19,30 |
Sala "Europa" |
PLENARY LECTURE
Chaired by Rui Carvalho Homem, Universidade do Porto (Portugal)
Adriana Bebiano, Universidade de Coimbra (Portugal) The Elizabethans, Our Contemporaries |
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Restaurante "El corregidor" |
Conference dinner |
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Friday, April 7th |
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9,30 - 11,00 |
Sala "Europa" |
PANEL 10
Chaired by Jorge Figueroa Dorrego, Universidad de Vigo (Spain)
Salomé Machado, Universidade de Lisboa (Portugal) Salve Deus Rex Judaeorum: Aemilia Lanyer's Female Oriented Poems
Paula de Pando Mena, Universidad de Sevilla (Spain) The Making of the Women’s Poet: Self-Fashioning in John Banks’s Prologues and Epilogues
Ángeles Tomé Rosales, Universidad de Vigo (Spain) "What a Pox Art Thou Afraid of a Woman–?": Challenging Gender Hierarchy through Humour in Aphra Behn’s The Second Part of the Rover |
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11,00 - 11,30 |
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Coffee break |
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11,30 - 12,30 |
Sala "Europa" |
PLENARY LECTURE
Chaired by Sarah Grandage, University of Notthingham (United Kingdom)
Mark Robson, University of Notthingham (United Kingdom) Catching the Sense at Two Removes?: Love's senses |
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12,30 - 14,00 |
Sala "Europa" |
PANEL 11
Chaired by Zenón Luis Martínez, Universidad de Huelva (Spain)
Elena Domínguez Romero, Universidad de Huelva (Spain) Richard More: In Defence of Nicholas Ling and the Poor Men’s Privileges. Englands Helicon 1600-1614
María José Mora Sena, Universidad de Sevilla (Spain) Authorship and the Marketplace: The Printing of Plays in the Early Restoration Period
Jordi Sánchez Martí, Universidad de Alicante (Spain) The Printing of Medieval Romance in Early Modern England: A Case Study |
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Sala "García Matos" |
PANEL 12
Chaired by José Luis Oncins Martínez, Universidad de Extremadura (Spain)
Clara Calvo, Universidad de Murcia (Spain) Shakespeare Re-Located: Translating the Plays through Space and Film Location in Shakespeare Retold
Sarah Grandage, University of Nottingham (United Kingdom) "Mar a Curious Tale in Telling It and Deliver a Plain Message Bluntly": Evaluative Narrative and Shakespeare’s Messengers
Manuel Vicente Calvo, Universidad de Alcalá / Universidad Nacional de Educación a Distancia (Spain) "Our Worser Thoughts Heavens Mend!" because William Shakespeare Wouldn’t: A View on Egyptian Women in Antony and Cleopatra |
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16,30 - 18,00 |
Sala "Europa" |
PANEL 13
Chaired by Jesús Á. Marín Calvarro, Universidad de Extremadura (Spain)
Hugh Adlington, Keele University (United Kingdom) John Donne’s Books in the Middle Temple Library: A New Approach
María de Jesús Relvas, Universidade Aberta (Portugal) Metaphors of Opulence and Power in the Life of Thomas Wolsey, the King’s Cardinal
Javier Martín Párraga, Universidad de Córdoba (Spain) Marlowe Becomes Postmodern: Kurt Vonnegut’s Recreation of Doctor Faustus in Mother Night |
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18,00 - 18,30 |
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Coffee break |
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18,30 - 20,30 |
Sala "Europa" |
SEDERI annual general meeting |
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20,30 |
Sala "Europa" |
Closing session |